Bikini Olympia 2013

Below is the list of IFBB Pro Bikini athletes who will be gracing the Olympia stage this weekend. Cognratulations to all!
2013-bikini-international-prejudging-report-bikini-battle

2013 BIKINI OLYMPIA

Nathalia Melo, Brazil
Nicole Nagrani, USA
India Paulino, USA
Dianna Dahlgren, USA (retired)
Jaime Baird, USA
Yeshaira Robles, USA
Michelle Brannan, UK
Justine Munro, Canada
Amanda Latona, USA
Vladimira Krasova, Czech Republic (Overall Winner, Amateur Bikini Olympia)
Ashley LeBlanc, USA
Stacey Alexander, USA
Jennifer Andrews, USA
Pollianna Moss, USA
Courtney King, USA
Ashley Kaltwasser, USA
Narmin Assria, USA
Candice Conroy, USA
Anna Virmajoki, Finland
Noemi Olah, Hungary

POINT STANDINGS

1. Lacey DeLuca, USA, 14
2. Tiffany Marie Boydston, USA, 13
2. Jessica Arevalo, USA, 13
2. Tawna Eubanks, USA, 13
2. Gigi Amurao, USA, 13

Olympia Men’s Physique Showdown

mens physique showdown

This year’s Olympia stage will welcome IFBB Men’s Physique athletes for the first time. Congratulations to all who are competing!

2013 OLYMPIA MEN’S PHYSIQUE SHOWDOWN

Stephen Cook, USA
Matt Christianer, USA
Michael Anderson, USA
Mark Anthony Wingson, USA
Anton Antipov, USA
Sadik Hadzovic, USA
Matthew Acton, USA
Jeremy Buendia, USA
Tony Woodward, USA
John Nguyen, USA
Jeff Seid, USA

POINT STANDINGS

1. Tyler Anderson, USA, 12
1. William Sullivan, USA, 12
3. Alexandre Carneiro, USA, 11
3. Jason Poston, USA, 11
5. Stephen Mass, USA, 10

Make Sure To Visit The Muscle & Performance Magazine At Olympia This Weekend!

Muscle & Performance Magazine is enjoying a tremendous year with Muscle & Performance, Black Belt and The Box magazines, and will resurrect Oxygen, Reps and Musclemag magazines as a result of its acquisition of RKP recently. I am so honored to be working this booth again this year! M & P Mags

Honored To Work The Muscle And Performance Mag Booth At Olympia!

I am thrilled and honored to once again work the Muscle and Performance Magazine booth at Olympia this year! Please come by the booth for free magazines and photo opportunities!

Olympia will take place on September 26th through 29th, 2013 in Las Vegas at the Las Vegas Convention Center.
http://www.muscleandperformancemag.com/

Muscle and Performance logo

Olympia Prize Money 2013

TOTAL PRIZE MONEY BREAKDOWN

Olympia is looming around the corner, with more total prize money being awarded among the eight different divisions. The big granddaddy is Mr. Olympia, which will award $650,000 to the champion. The 212, Ms. Olympia, Fitness and Figure champions will take home a respectable, albeit much smaller, purse of $60,000 for each division.

joe-weiders-mr-olympia-2013-infoNow that Bikini Olympia is approaching its fourth year, with three different women having attained the titles in previous years (Sonia Gonzales in 2010, Nicole Nagrani in 2011, and Nathalia Melo in 2012), the purse has been set at $40,000 for this year.

The two newest divisions in the NPC and IFBB will enjoy their freshman year on the Olympia stage, with correspondingly small purses for Men’s Physique and $10,000 for Women’s Physique. There is no doubt that this prize money will increase in coming years as the newer divisions continue to make their mark in the bodybuilding world.

Here is a summary of the prize money for Olympia 2013:

Mr. Olympia: $650,000

212 Showdown: $60,000

Ms. Olympia: $60,000

Fitness Olympia: $60,000

Figure Olympia: $60,000

Bikini Olympia: $40,000

Men’s Physique Showdown: $10,000

Women’s Physique Showdown: $10,000

Total: $950,000

Dancing Onstage

Team U danceIf you compete in Women’s or Men’s Bodybuilding, Women’s Physique or Fitness divisions, you may incorporate dance moves as part of your routine onstage. Dance moves are always a crowd favorite and add to the entertainment value of a posing routine, breaking up the monotony of hitting one mandatory pose after another. But I am not talking about true dance moves here. What I am talking about is the flow of energy and the fluidity which a competitor should ideally bring onstage regardless of the division in which he or she competes. This includes Figure, Men’s Physique and Bikini divisions.

You may exclaim, “But I am not a dancer!”, and that is fine. You don’t need a dance background to move gracefully onstage. However, when you step onstage, your movements should look effortless and should demonstrate the confidence you should have while up there. The worst thing you can do is to have a deer-in-headlights look or to move like a robot because you are overthinking your steps. It also will NEVER serve you to get nervous onstage. So how do you combat these obstacles to really bringing it onstage and crushing the competition? Here are some tips to help you develop that flow and swagger before you hit the stage.

TIP #1: PRACTICE PRACTICE PRACTICE!

You should be practicing walking and posing as MUCH as possible! Make sure to wear your suit or trunks whenever you practice so that you can become aware of how the attire fits your body and shows off your lines as you move. Figure and bikini ladies need to practice in their show heels so that they can become aware of shifts in their center of gravity as they move. Once you have your basic poses down, work on your turns and transitions. Finally, once you are VERY comfortable with your posing, you can add flourishes and styling which are reflective of your personality.

I tell clients to walk around their homes wearing their contest heels not only to break them in but to also get used to how they carry their bodies when wearing those heels. A pair of regular street heels won’t quite do it either, so make sure to wear the shoes you will actually be wearing onstage. Do NOT get high platforms because they are tricky to wear onstage and will increase the chance of tripping or twisting your ankle, and they also make your leg line look very chopped up and clunky. You won’t be fooling anyone by getting Frankenstein platforms, trust me!

TIP #2: VIDEOTAPE YOURSELF AND USE MIRRORS

A great way of getting feedback (besides having competitor pals watch you pose, which I also recommend) is to videotape yourself walking and hitting your poses. You may think you look great, but by watching footage, you may pick up on some bad habits or angles which you can then work on before contest time. After competing for several years I honestly think that videotaping yourself is an indispensable tool when practicing your posing.

Whenever possible, you should also practice in front of a mirror. I used to practice in a dance room which had mirrors on three walls so I could check out my posing from all angles, but if you don’t have access to a room like that, you can just practice in front of an inexpensive full length mirror.

TIP #3: WATCH YOUTUBE VIDEOS

I always advise clients to watch YouTube videos from NPC National and IFBB Pro events in order to learn from top competitors. Watch the competitors who get first callouts because their posing plays a big part in their top callouts. You can usually tell which competitors will end up doing well because they make the poses look like second nature, moving gracefully or purposefully from one pose into the next. One word of caution: if you are a local or new competitor, do not try to add the styling that the pros add. For one thing, that sort of thing will come with time and experience onstage. Secondly, most judges do not like all the unnecessary flourishes and will mark you down if you add too much “flavor”. Keep your transitions nice and clean.

TIP #4: GET A POSING COACH

I think every competitor can benefit from having a posing coach, even if they just have one session. A posing coach will lend a trained eye and correct any bad habits, making adjustments so that the client’s physique is displayed in the best way. Even the slightest shift of the hips can look great on one body and horrible on another. If you are in the Los Angeles area, I am available for one-on-one posing, but if you reside elsewhere, there are some excellent posing coaches out there who can help you out. Make sure to select someone who knows how to pose for your particular division!

TIP #5: FLUIDITY

Once you have been practicing posing for a while, you can work on making your movements as fluid as possible. This means that when you transition from one pose to the next that you don’t look like a robot when doing so. It also means getting out of your head! I have seen competitors who are obviously thinking about their next pose, and their movements end up looking very choppy. You should not be thinking, “okay, front pose, then I will step with my right, er, my LEFT foot, then ummmm…” because that will ensure a very unappealing presentation onstage. You can have your internal chat before you step onstage, but leave it backstage where it belongs.

TIP #6: SMILE!

Perhaps the best thing you can wear onstage to engage the judges and the audience is a smile. You need to look like you are having a blast onstage, not like you are dreading those few minutes up there. This definitely means that you will be smiling so much that your face may end up fatiguing from it, but believe me, it makes a big difference.

TIP #7: DON’T BE NERVOUS

I remember being very nervous the first few times I competed. Then after a while I thought to myself, “What is the point of being nervous?” and all my jitters sort of melted away. This doesn’t that mishaps don’t occur, but your attitude about them makes all the difference in the world. I was at the IFBB North American in Cleveland in August of 2011 and I kind of tripped over my feet when doing a transition during overall comparisons. Instead of getting rattled I just kept moving and it wasn’t a big deal at all. I have also heard a story about a competitor whose top flew open during her posing routine. She kept going, topless, until she finished her poses, then picked up her top from the stage floor and walked off!

If I ever start to feel any kind of nervousness (which at this point is very rare), I remind myself that I know most of the judges and many of the other competitors, and that unless I do something really stupid onstage, I have absolutely NOTHING to worry about. Leave your anxiety and jitters off the stage and just get up there and have fun!

I Love CJ’s Elite Competition Suits!

Cynthia James, also known as CJ, makes the most beautiful competition suits ever! I have had many suits made by a number of designers, and I have never seen the level of workmanship with any other suit maker. CJ’s attention to detail is staggering, and she knows how to cut her suits so that they need no alterations whatsoever. She does this via measurements, photos and body weight, and has never once measured me in person. In contrast, I have been measured for suits by other suit makers in person and still had to go through one to four alterations on other suits. Honestly, CJ is incredible.

Team U 2103 Front

Front Metropolitan

North American 2012

Red suit

What Will YOU Do With A Pro Card?

Ah yes, the Pro Card. The International Federation of Bodybuilders (IFBB) awards Pro Status to hardworking bodybuilding athletes everywhere. Plenty of individuals who are enchanted by the idea of chasing after Pro Status in the bodybuilding world are under the erroneous impression that their lives will change dramatically upon winning a Pro card. While it is certainly a privilege and an honor to achieve Pro status, don’t think for a second that fame and fortune will suddenly descend upon the new Pro. The majority of new IFBB Pros still have to hustle to get sponsorships lined up, and they still have to figure out how finance upcoming competitions. With the slump in print magazine readership it has become more difficult than ever to secure a cover or a feature article, even as a Pro.

It is far more important to showcase your particular talents and strengths and build your career and your brand well BEFORE even attaining Pro status. Every single thing I have done since I started competing in 2009 was done as an amateur and was fueled by my desire to increase branding and exposure. So for those of you who hunger for that Pro card, don’t forget about what you are doing right now. The path you are walking in that race for the Pro card is your foundation for a great future in fitness and bodybuilding. Don’t risk messing up that foundation by forgetting about all the details which will get you to the Pro ranks.

One final note: I am aware of a large number of people who have jumped ship and joined other federations in their quest for Pro status. While some have made the switch in a diplomatic way, others have been so dazzled by the Pro status prize that they opted for an easier route. If switching federations is a better fit for you, then fine. But if you just want a Pro title so badly that this is the ONLY reason for switching, you might shift your focus on building your brand instead and hang up your competition hat. Remember, competing should be FUN. When you stop enjoying it, you need to retire from the stage.

That Ever Elusive Pro Card

(Original post can be found at
http://www.rxmuscle.com/blogs/the-life-inspiration-and-dedication/8988-that-ever-elusive-pro-card.html)

There have been many occasions in which I have heard a freshly nationally ranked NPC competitor declare that he or she will hit the national stage and easily snap up an IFBB Pro Card. While I applaud the competitor’s enthusiasm and drive, I cannot help but snicker to myself when I hear such a statement. Honestly, if it were THAT easy to earn a Pro Card, there would be Pros populating the country in droves. Alas, there is only a finite number of Pro Cards to be given out each year, and the competition for them is fierce to say the least.

I will often see competitors who have made such a declaration months later who are shocked that they have not yet achieved Pro status. They mention being stunned, frustrated and dejected, and often will state that they are considering leaving the sport altogether. Let me tell you something: I stepped on the national stage FOURTEEN TIMES before I earned my Pro Card. There certainly were times that I was discouraged, and there were moments during which I had pondered the possibility of walking away from the sport. Yet I kept getting back on the stage, improving my game each time and proving to myself that I was strong enough to overcome the roadblocks that kept Pro status at bay. Thankfully, all of my dedication and stubbornness finally paid off, but it was a long and arduous journey.

I think it is very important to bear in mind how competitive national NPC bodybuilding contests are. There are over 100 national qualifying NPC local contests across the nation each year, with some events in large metropolitan areas bringing in more than 100 competitors in each of the most popular divisions (men’s physique, figure and bikini). Since only the top five competitors in these divisions are given national qualification, such contests can be brutally competitive. These nationally qualified competitors then hit the national stage, usually competing against an average of thirty other competitors (there were a record 72 competitors in one men’s physique class in 2011) who are considered the best in the nation. So what makes you think you can easily snap up a Pro Card? You may prove me wrong, but it is foolish to boast that you will easily get one from your first foray into a national NPC contest.

By no means am I trying to discourage anyone from competing. What I hope to do is to encourage competitors to be realistic yet unrelenting in their pursuit of personal excellence as they reach for Pro status. It is always a good idea to talk to the judges after a contest to obtain valuable feedback. It is also important to look at your contest photos, especially the comparison photos. If there are changes which need to be made, make them before you hit the stage again. Most importantly, do NOT get discouraged. Good things come to those who persevere!

Training For Life

Over the past few weeks I have heard a few competitors state that they plan to completely stop weight training for a few weeks because they are burnt out on prepping for competitions. While I agree that taking some time off can be a good thing, taking several weeks off seems like complete madness to me. Though I get a kick out of people who have this on-again, off-again attitude with respect to training, I am more disturbed than amused by such an attitude because it is in stark opposition to my attitude towards training.

My attitude towards training stems from the fact that I train for life, not for the stage per se. I increase the number of workouts before a big contest, but I never hang up my training hat for more than a couple of days at a time. Why? Because I truly love training, and I strive to remain consistent with my conditioning. I also ensure that I will be shoot ready whenever the need arises. I have had last minute calls to shoot and never have to worry that I will not be camera worthy.

It blows my mind how many people have asked me if I plan to stop training now that I have earned my IFBB Pro Card. I didn’t train hard to get my Pro Card just so I could let it all go to mush! If anything, I have even more reason to uphold the level of conditioning which has taken years for me to achieve. You won’t see me avoiding the gym or eating tons of bad foods, because I have every intention of honoring the status I have earned. It’s back to the gym for me!dumbbells